There are various capo architectures available, and each have their own benefits and drawbacks – but the fretboard radius issue should be your biggest concern. Most companies are even making standard capos that are big enough to fit on 7-string necks, so you shouldn't need to worry too much about getting something to fit. Generally capos are designed to fit as universally as possible, so you shouldn't need to buy a specific capo unless your neck or fretboard is exceptionally different to the norm. Most brands offer a range of options, so if you see a capo you like, there’ll probably be one designed to fit your guitar. Ultimately your first consideration when choosing one of the best capos should be to choose one that fits your guitar. Generally, capos can be divided into radiused capos for rounder fretboards flatter designs, typically for shreddy SuperStrats and classical guitars and all-in-ones – capos that either accommodate different radiuses (such as the G7th) or incorporate both a flat surface and a rounded one into their design. In a perfect world every capo would apply even force across all six strings (and at every fret position), in order to prevent these problems. While each has its own benefits, suffice to say that different fretboard designs represent a compromise in capo design.įix a rounded capo on a flat fretboard (or vice versa) and you’ll end up with unwanted string buzz (the noise made where strings aren’t fully clamped) and poor tuning (where strings are pushed sharp from over-tightening the capo). Some guitars (like certain vintage Fenders) feature rounded boards, where others are near flat. Radius refers to the curvature of this vital part of your guitar. You might be confused by all this talk of fretboard radiuses, but you needn't be. (Image credit: Future) What is the fretboard radius?
It’ll likely suit technically adept acoustic fingerstylists but we’d recommend it for any player seeking fresh inspiration. Still, if a capo can fuel new creative ideas, that alone makes it worth the price of entry. Also, unclamped strings can’t be fretted at the capo’d position which is a weird quirk above or below the capo is all gravy though. The SpiderCapo is suitable for any fretboard radius, but you’ll be adjusting pressure on each individual string – which is a relatively slow process. You can only capo one fret however, so more complex chordal tunings are not an option.
You could, for instance, place a SpiderCapo at 2nd position, clamp the fretted strings of an open A chord and leave the others open – that’s open A tuning.
Unclamped strings can’t easily be played at capo’d fretĪ creative take on a humble device, the SpiderCapo allows you to clamp each string individually, in turn offering up a world of alternate tunings – many that you might not have otherwise tried.
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